Claire Kohda is a British author of literary fiction and contemporary fiction. She is known for intimate, emotionally resonant stories that explore identity, belonging, and the complexities of navigating life between cultures. Her work often blends sharp realism with a quiet, haunting atmosphere, drawing on themes of family, isolation, and the search for connection.

Claire Kohda made her debut as a novelist in 2022 with Woman, Eating, a coming‑of‑age story that mixes everyday struggles with subtle supernatural elements, using vampirism as a lens for hunger, desire, and cultural displacement. Below is a list of Claire Kohda’s books in order of when they were originally released:

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Claire Kohda Synopses: Woman, Eating is a standalone novel by Claire Kohda that follows Lydia, a young mixed‑race vampire trying to build an independent life in London. She has left her mother for the first time and is determined to understand who she is, both as an artist and as a woman. Yet the freedom she craves is overshadowed by a constant, gnawing hunger.

Lydia longs for the foods her Japanese father loved and the treats her human peers enjoy, from ramen and onigiri to bubble tea and cake. But her body can digest only blood, and finding a safe, reliable source in the city proves far more difficult than she imagined. As she secretly squats in a shared studio space, she paints, studies other artists’ work, and watches endless videos of people eating, all while trying to ignore the ache that never leaves her.

Her world expands through the people she meets in the London art scene, including Ben, a gentle, awkward painter she cannot help but care for. Lydia wants connection and belonging, but she is also aware that humans are her natural prey. Her struggle to reconcile desire, hunger, and identity becomes more urgent as she confronts the parts of herself she has tried to deny.

As Lydia grows into her art and her adulthood, she must face the conflict between her human and vampire selves, her mixed cultural heritage, and her fraught relationship with food and the people around her. To find a place in the world she longs to join, she must learn how to live with every part of who she is. But before she can do any of that, she must eat.

Furies is a feminist anthology featuring sixteen bestselling and award‑winning writers, each reclaiming a historically loaded word and transforming it into a story of power, resistance, or reinvention. The collection spans genres and styles, united by its focus on women’s voices and the language that has shaped – and constrained – them across centuries. Contributors include Margaret Atwood, Emma Donoghue, Ali Smith, Kamila Shamsie, Helen Oyeyemi, and Claire Kohda, with an introduction by Sandi Toksvig.

Claire Kohda Reviews: I went into Woman, Eating without really knowing what to expect beyond “a vampire story.”

And yes, it is that – but it’s also the story of a young woman trying to bring the world around her, and her own inner world, into some kind of harmony. She’s searching for her path, where she belongs, and what she’s meant to do.

One of the most surprising and fascinating elements was the focus on food = how deeply it’s tied to culture and identity in different parts of the world, and how isolating it can feel when you can’t participate in those moments.

Lyd, the protagonist, feels disconnected from her human side because she doesn’t eat in the typical sense, and that detail resonated with me far more than I expected.

As someone with multiple severe allergies to staple foods – milk, eggs, every form of gluten – I felt an unexpected connection to her. Her longing to take part in ordinary meals, the ones most people never think twice about, hit close to home.

The book is well written, and Lyd is an engaging, entertaining character, especially in the way she relates to her mother and to the world around her.

This isn’t a fantasy novel; it’s firmly grounded in our world, telling the quiet story of a life that’s just a little different – and what it feels like to never fully belong.

I’ll admit I was skeptical that a book under 300 pages could deliver a complete vampire narrative, but this one proved me wrong.

It says what it needs to say, ends at exactly the right moment, and never drags or pads itself out. It follows Lyd until she reaches a point of clarity and self-understanding, and then it closes. It’s well executed.

Overall, it was a genuinely enjoyable reading experience and absolutely worth reading. -Dawn

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